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Friday, July 21, 2017

[GBM] Paris at the Crossroads

by Annibale Carracci, 1596

The Judgment of Paris in G. B. Marino's version: In order to strengthen her candidacy to the Most Beautiful Goddess Prize, Minerva also introduces herself as Virtue in the flesh. As a consequence, Paris -- if we take into consideration his next dialog with Venus -- will find himself in the same position as Hercules at the Crossroads, a major topic in Renaissance art and literature. Juno here can be practically dismissed, as she plays a quite stereotypical role.

2.96

"Virtue I am, of whom no mortal ever
saw anything but a picture, a trace.
To you, however, with unveiled rays
I represent its very bodily shape;
whence, if you are wise, you can take
the authentic norm for true beauty
and know on earth, without obfuscation,
what must be followed and worshiped."